![]() ![]() ![]() Hudson River School landscapes are characterized by their realistic, detailed, and sometimes idealized portrayal of nature, often juxtaposing peaceful agriculture and the remaining wilderness which was fast disappearing from the Hudson Valley just as it was coming to be appreciated for its qualities of ruggedness and sublimity. They also depict the American landscape as a pastoral setting, where human beings and nature coexist peacefully. Hudson River School paintings reflect three themes of America in the 19th century: discovery, exploration, and settlement. It was initially used disparagingly, as the style had gone out of favor after the plein-air Barbizon School had come into vogue among American patrons and collectors. The term Hudson River School is thought to have been coined by the New York Tribune art critic Clarence Cook or by landscape painter Homer Dodge Martin. Works by second-generation artists expanded to include other locales in New England, the Maritimes, the American West, and South America. The paintings typically depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and White Mountains. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. American art movement Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art ![]()
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